There’s a baby, and it’s cute.Įven Dempsey holds his own, though I could do without the health-conscious internet entrepreneur as a millennial rom-com trope. Renée Zellweger, the long-suffering Bridget, looks great, and fuck you if you think differently. Colin Firth continues to be the second-most-compelling romantic lead of the 21st century (after Ryan Gosling) he should do a whole Netflix show that is just him in different suits staring stonily into the screen and then, at minute 45, breaking into that wide, almost holy smile. I will happily serve on the board of the Foundation to Get Emma Thompson to Fix All Women-Centric Scripts if that’s what it takes. We deserve more movies like this it shouldn’t be so hard to put attractive, charming, British people on a screen and let them fall in love according to a formula that is literally as old as filmmaking. The short version: Bridget Jones’s Baby, the third, much-troubled installment of the Bridget Jones series, is a delight. It would be mortifying if someone did this in real life - the gifts are a little banal, and also please don’t show up at people’s homes unannounced with stalker gifts - but I knew that this scene would become a reference point, like Andrew Lincoln’s Love Actually flashcards or Julia Roberts’s “I’m also just a girl, standing in front of a boy” speech from Notting Hill. Here are the flowers Jack bought after their first fight. Here is a stuffed bear that Jack won Bridget at a carnival.
Here is the takeout from Ottolenghi, where they would’ve gone on their first proper date. Jack has a bag, and in that bag are the tokens of a relationship that he and Bridget never got to have. The coveting of Bridget Jones’s apartment is maybe the first sign that we’re in a different franchise here, but stay with me. It’s the same apartment from the first movie, but with some Nancy Meyers–level renovation: Viking range, wide floorboards, natural light. Jack, after some plot shenanigans that make this slightly less creepy than it’s going to sound, shows up at her home. Bridget meets Jack Bridget does her signature “get slightly but charmingly drunk and wander around in a public setting” act, which conveniently lands her in Jack’s Glastonbury-or-similar yurt and then Bridget, 43, suddenly skinny but still extremely awkward, runs away. That’s not a spoiler it’s the Law of Dempsey. His name is Jack, and he’s played by Patrick Dempsey, which is a signal to everyone at home that he will: (a) say some extremely romantic things, and (b) eventually get discarded. Still, Firth, Grant, and Zellweger are always fun to watch, the script has some funny moments, and it's always fun to see Bridget find a way to a happy ending.After the Hugh Grant funeral, but before the titular character of Bridget Jones’s Baby arrives, Bridget Jones makes a friend. There is simply no way to handle a scene like this in a romantic comedy, and the efforts to make Bridget's prison experience charming by having her loan out her Wonderbra and teach her cellmates Madonna songs are a little creepy. In one case, Bridget is imprisoned in a Thai jail. The incidents in Bridget Jones: The Edge of Reason are just repetitions of the first (discussions of large panties, ugly Christmas sweaters, completely inept Mark/Daniel fight scene) or outlandish variations that fall a little flat. She comes across as not just graceless but thoughtless and careless. Not so much anymore, no matter how much we want to. She may have been awkward, but she had so much heart that we, like Mark, loved her just the way she was. What we loved about Bridget was the spirited way she took on the world.
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This sequel is pretty much the same movie as the first, but both the heroine and her story have lost a good deal of their charm. Which Side of History? How Technology Is Reshaping Democracy and Our Lives.Cómo saber si una aplicación o sitio web son realmente educativos.
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